Join Claire Dederer to discuss “Monsters.”
AUTHOR TALK DETAILS
5/15/2023 at 7:00 pm
THIRD PLACE BOOKS SEWARD PARK
5041 Wilson Ave S
Seattle, WA 98118
About the Author:
CLAIRE DEDERER is the author of Love and Trouble, and the New York Times best-selling memoir Poser: My Life in Twenty-Three Yoga Poses, which has been translated into twelve languages. A book critic, essayist, and reporter, Dederer is a longtime contributor to The New York Times and has also written for The Atlantic, Vogue, Slate, The Nation, and New York magazine. She lives near Seattle with her family.
About the Book:
A NEW YORK TIMES MOST ANTICIPATED BOOK • Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we? A passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity.
“Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us.” —The Washington Post
“Thrillingly sharp, appropriately doubtful, and more fun than you would believe, given the pressing seriousness of the subject matter.” —Nick Hornby, best-selling author of High Fidelity
From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is“part memoir, part treatise, and all treat” (The New York Times),this unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, “What Do We Do with the Art of Monstrous Men?” asks: Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss?
She explores the audience’s relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.
